• Vagues de plastique

  • Line across blue

  • Blow up

  • Banana’s characters

  • Minima cinema

  • Heavy reflections

  • Vagues de plastique

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  • Exposition about the microplastic pollution, topic dealt by the Fondation Pacifique. The scenography, with a sensory experience, a virtual journey surfing the oceans in search of plastic deposits. Aesthetics as a gateway to this sensory world of exploration where all the senses are involved.

    @Stojan & Voumard

  • Line across blue

    video

  • The scenography release for the dance school “Dance Haus” in Milan, express the empathy. Using thin ropes to create different layers of depth, moved on a metal track on the floor and on the top, acted by us and by the two dancers during their performance, the light system we coordinated it thanks to Arduino. Line across blue is the empathy between the two dancers but also of the structure itself.

  • Blow up

    is a space where is expose all the process of this one. The images exhibited are different blow-ups in greyscale which are only apparently not very clear.

    video

  • After entering the experimental cinema, with the help of magnifying glasses it is possible to discover the origins of these photos. Blow-ups of different parts of the human body such as hair, skin, scleral vessels, iris, nerves, etc.)

    I investigated in this project the pareidolia, the subconscious illusion that we gave to the images, sound that we get. The deceptive images reveal their true origin at the end of the experience.

"Art X: A Rough Sketch of a Sample Lesson for a Hypothetical Course".

— by George Nelson during the experimental lessons 1953

Banana’s characters

The theme gave for this project was“la fortune”, meanings as good luck, destiny, plenty of money and wealth. I decided to investigated the issue inside the thematic of the food and on the gap about food supplies in the world.The banana is the most widely eaten fruit in the world, above all among the poorer populations of the third world but also on the table of the richest. 
This banana sculpture uncovers the hidden stories behind the chiquita monopoly.
As a pesticide in the 1977, the big company used the Nemagòn, that has determined the onset of infertility among banana growers.

As a pesticide in the 1977, the big company used the Nemagòn, that has determined the onset of infertility among banana growers.

The origin of the first cultivations in New Guinea and the main placesof origin.

The origin of the first cultivations in New Guinea and the main placesof origin.

All these sad stories are hiding under the names of big monopolies like the famous Chiquita, which has changed its name several times not to reveal these episodes.

All these sad stories are hiding under the names of big monopolies like the famous Chiquita, which has changed its name several times not to reveal these episodes.

Bananas, which are rich in essential nutritious elements, are appreciated above all in the Western world for their organoleptic characteristics, for this SUPER BANANA

Bananas, which are rich in essential nutritious elements, are appreciated above all in the Western world for their organoleptic characteristics, for this SUPER BANANA

“Masacre de las Bananiera”, Colombia 1928. Many workers were killed after had strike for better wage conditions. Mentioned in the famous novel “Hundred Years of Solitude” by the writer Gabriel García Márquez.

“Masacre de las Bananiera”, Colombia 1928. Many workers were killed after had strike for better wage conditions. Mentioned in the famous novel “Hundred Years of Solitude” by the writer Gabriel García Márquez.

  • Minima Cinema

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  • Minima Cinema distilled the cinematic experience to its minimal expression.

    The design intentionally disassociated itself from the archetypal to stress the experiential. The spaces were sculpted in different pieces after these modules were then fibre-glassed to weatherproof and reinforce them to withstand a month of festival activities across Switzerland.

  • The heavy, fragmented reflections

  • Starting from the reflection on the relationship between material and the corresponding physical condition, in “The heavy, fragmented reflections” normally heavy materials like mirrors have been used but deprived of their weight and made light and fluctuating in space like the works by the Mexican artist Damián Ortega.

    The suspended mirrors are made even more ethereal by their transparency obtained during the production so that they can communicate with the human figure that has been modified and transformed into a sort of weightless ghost.

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